MORE OR LESS WHY I’M 5EVER ROLLING MY EYES AT BRAVE.
AND THEN I WATCH ATLA AND I’M LIKE O YAH THAT’S HOW YOU DEPICT GENDER WELL IN CHILDREN’S ANIMATION.
(Source: feministblackboard)
MORE OR LESS WHY I’M 5EVER ROLLING MY EYES AT BRAVE.
AND THEN I WATCH ATLA AND I’M LIKE O YAH THAT’S HOW YOU DEPICT GENDER WELL IN CHILDREN’S ANIMATION.
(Source: feministblackboard)
As a society, we encourage girls and women to be emotionally accessible, and in touch with their feelings; we say that it’s an innately feminine trait. We say it, that is, until they have feelings that make us uncomfortable, at which point we recast them as melodramatic harpies, shrieking banshees, and basket cases.
— Tori Amos (via noahhateseverything)
(Source: imanassspankme)
i think when cornered by zombies the civil thing to do would be for the undead to offer us the chance to lip sync for our lives
AMEN


Korrasami




Clifton Brown and BBoy Machine + Photographer Matt Karas + “Get It Out”





Sam Evans derping his way through choreographies
(Source: 23liveitup)
Jacob Holdt. American Pictures of african american oppression circa the 1970s.








The Tale of the Three Brothers.(Source: stephhr)



Illustrations : By Nick Beery / Store
Pulp Fiction Burt and Earnie
Lil’ Animal
Taxi Driver Alfred E. Neuman





The Beautiful People by Shehzil Malik
Shehzil’s psychedelic tribute to the artists that inspire her drag some iconic artists kicking and biting into the modern world. Andy Warhol’s cover photo on Facebook is a beautiful touch.
Artist: behance / deviantart
(Source: ForGIFs.com)